Ebony Maurice-Wilmott is a Naarm/Melbourne-based artist whose work uses the formal language of abstraction to investigate distinctions between the hand-made and manufactured objects. With a focus on the act of making according to pre-determined rules, she uses both industrial and domestic found materials. Her research currently investigates how systematic repetition can create space for viewer contemplation, and how meaning can be shaped by the way in which an artwork is presented. Selected exhibitions include Hatched, 2025 (PICA, Perth), Phenomenal Matter, 2025 (Mary Cherry Contemporary, Melbourne), Opening Night/ Birthday Party, 2024 (St. Kilda residence, Melbourne), Angel Place, 2023 (CBD Gallery, Sydney), and Axis and Origin, 2023 (Carpark Gallery, Brisbane).

Current Masters in Fine Art candidate, supported by a RTP Stipend Scholarship, Monash University

Selected Exhibitions:
2025 Phenomenal Matter, Mary Cherry Contemporary
2025 Hatched, PICA, Perth
2024 Opening Night/ Birthday Party, 2024 St. Kilda residence, Melbourne
2023 Angel Place, 2023 CBD Gallery, Sydney
2023 Axis and Origin, 2023 Carpark Gallery, Brisbane

Press
Butler, Rex, 2025 "“How does one give form to the formless?”

Writing

2025 Memo Magazine- "Tony Clark: Unsculpted", Buxton Contemporary 2024 Discipline Paper 09 "Consequences of the Index"

Education
2024 Bachelor of Fine Art (Honours), Monash University (2024)
2022 Bachelor of Visual Art, Queensland College of Art